UP.GRADE started 8th June 2015 and will end 26th February 2016 and is organised by the German Film and Television Academy Berlin (DFFB).
It is the first programme of its kind worldwide. UP.GRADE is designed for participants with professional experience in cinematography, photography, digital imaging, editing or visual effects, and will offer intensive aesthetic, technical and theoretical training, ranging from film history to hands-on colour grading, colour management and digital film workflows. The increasing emphasis on post-production in modern filmmaking gives rise to growing demand for professionals to master post-production techniques in both artistic and technical terms. Furthermore, the market for highly qualified colourists is set to expand, for they are the principal creative collaborators in image post-production.
Cinematographers, junior colourists, VFX artists, digital image technicians, editors, still photographers, directors or applicants from closely related fields with a film school degree or relevant professional experience.
GAIN EXCELLENT TRAINING
Benefit from top-notch training from high-profile international colourists, cinematographers, directors, scientists and post-production supervisors at the top of their game.
WEAVE AN INTERNATIONAL NETWORK
The trans-European dimension of the programme offers scope for fruitful exchanges. By creating a centre of excellence and bringing together some of
the top professionals working in the field, the programme helps participants reach a new level in their career and equips them to work on more ambitious projects.
UP.GRADE: THE FIRST LONG-TERM TRAINING PROGRAMME FOR COLOUR GRADING
In analogue film workflows, colour timing was the widespread but very limited process deployed to adjust a film's look technically and creatively. Colour timers were generally film-lab employees. With the rise of electronic imaging, expensive film-to-video transfer equipment (telecine) offered a much wider range of image manipulation options and triggered a new wave of post-production visual design in the film world. Training on this equipment was only possible in large post-production facilities, and involved spending years as an assistant in order to master the telecine process. The transition to computer-based digital colour grading systems offers broader access, but so far there has been no targeted long-term training for professionals in this specific field.
UP.GRADE IS DESIGNED TO FILL THIS GAP
UP.GRADE will combine two central thematic poles throughout the programme, equipping young talents with both the practical skills and the creative mind-set needed to make powerful, innovative cinema. Future colourists must have a solid grasp of their craft and the technical tools; at the same time they must be conversant with colours, images and cinematic languages in narrative, content-based contexts, within the framework of a wide range of cultures and traditions.
DEVELOP MULTIPLE SKILLS
The course will offer both the requisite background knowledge and targeted creative and technical skills-training in the technologies and aptitudes needed in the world of digital colour grading. Multiple grading solutions will be taught in detail and are available for hands-on practicing throughout the programme. New technical developments will be featured and explained by specialists. Experienced international directors, cinematographers and colourists will explain how they work together through case studies of their projects. Collaborating with DFFB students on their short film productions will give UP.GRADE participants a chance to be involved in the entire production process, from visual concept to onset grading and final delivery. Throughout the programme, participants will be mentored by experienced colourists and teachers.
ACQUIRE UNIQUE WORKING
After the course, the participants will have greater scope to work in a range of skilled positions in cinema and TV productions. The skills taught on the programme are also transferable to integration of digital imagery into theatrical productions, a growing cross-over market segment, as well as being highly relevant to digital film restoration and archiving. UP.GRADE alumni will be well-placed to develop strong artistic work in conjunction with directors and cinematographers; rather than simply providing technical know-how, the programme will equip participants to make a genuine creative cinematographic contribution to film productions.
BERLIN, THE MEDIA METROPOLIS:
A PERFECT VENUE FOR UP.GRADE
DFFB has one of the most advanced post-production facilities to be found in a film school anywhere in the world. We aim to make good use of this incredibly fortunate situation in organising this top-class postgraduate training programme.
Our partner ARRI is an international player, active around the globe, and plays a major role in independent filmmaking and studio production. Even more importantly, ARRI is involved in both ends of the film production process, providing cinematographers with cameras, lighting solutions and accessories on the set, and running highly efficient, state-of-the-art post-production facilities.
The training is full-time, i.e. app 7-8 hours a day, 5 days a week. There is a break of 3-4 weeks around Christmas/New Year in December/January.
Following are some of the topics that are covered and presented by well established colourists, cinematographers, researchers and consultants. These are some of the lecturers for the first course 2015/2016: Adam Inglis, Charles Poynton, Dado Valentic, Daniel Stübner, Daniele Siragusano, Harald Brendel, Kevin Shaw, Michelle Carlos, Stefan Ciupek.
During the course we do trips to the Camerimage Film Festival in Poland, the IBC trade show in Amsterdam and to visit manufacturers and post-production companies in London.
+ art and film history
+ human visual perception and psychological effects
+ scientific modelling of colour perception and reproduction
+ the math of grading
+ gamma encoding
+ colour spaces, look-up tables, CDL, ACES, HDR
+ grading strategies and client management
+ postproduction and VFX workflows
+ visual storytelling presented in case studies
+ basic and advanced operation of various grading systems (esp. Davinci Resolve, FilmLight's Baselight and Digital Vision's Nucoda)
+ advanced techniques in colour grading (e.g. skin fixing, sky replacement, day for night, de- and re-graining, VFX integration etc.)
+ collaborative look design
+ digital camera testing, data management, onset previewing, dailies grading
+ colour management and display calibration
+ creating TV and digital cinema deliverables
+ filmscanning, archiving and restoration
+ collaboration on a short film production of DFFB students from visual concept to onset grading, rushes and final grading
+ grading of a music video, commercial, short documentary and 90 min. TV feature within a professional environment and guided by professionals
+ every participant will prepare a personal project that she or he will present at a one day event during Berlinale 2016 for invited visitors from European posthouses, broadcasters, film institutions and production companies to start off their career after the training programme
A total number of 10 seats are available.
8 selected applicants must be from the European Union, Iceland, Liechtenstein, Norway or Ukraine.
2 participants can be from anywhere in the world.
Applicants should have at least a few years of professional experience in cinematography, photography, digital imaging, editing or visual effects or a filmschool degree in one of these fields.
A high standard of spoken and written English is essential. All classes will be taught in English.
The recommended age is 25 to 35 years.
APPLICATION & DEADLINES
The application process for UP.GRADE 2016/2017 is closed and 10 new participants have been selected.
The course will start on the 6th of June 2016 and end the 25th of February 2017.
We are currently in the process of evaluation of the first year and application for funding beyond the programme 2016/2017.
The programme fee is 4,500 EUR.
This includes a 3,000 EUR tuition fee and 1,500 EUR to cover travel/accommodation within the programme. A monthly public transport ticket for Berlin will be provided for all participants.
Three tuition waivers are available.
1. What is this scholarship/tuition waiver and who can get it?
The tuition waiver simply means you don't have to pay the 4,500 Euro that all the other participants have to pay.
We provide the tuition waiver for those who can give us some plausible reasons for their neediness. We don‘t need your bank account information or whatsoever, just tell us your true reasons why you need this tuition waiver.
2. How do I apply for this programme?
If you are interested please follow this link. Once you created an account you will get a confirmation by mail. After you have finished all the steps and completed your application you will get a confirmation by mail, too. Please check your SPAM-folders and email-addresses you used for the application when you don’t find it right away.
3. Do I get a degree at the end of the programme?
There will be no official degree awarded, since this programme is outside of any bachelor or master course. You will be handed a certificate that states the content of the curriculum but no credits will be given. We believe the learning experience you make and material that you will be able to present to potential clients and employers are the main benefits of the course.
4. Will there be any on- or off-campus-housings for the participants?
No housing or accommodations will be arranged nor paid for you. You have to find and arrange accommodation for yourself. We might be able to point you to some helpful internet addresses and ask for help and information within the community of dffb students.
5. What are the plans for the future and will there be a programme next year?
The main funding for the programme has been given for two years. There will be a second run of the programme starting in June 2016.
Furthermore we have a newsletter for everyone who is interested in updates on the programme and additional workshops and events for external people around the programme. So please revisit the website regularly or send us an email that you want to be notified about UP.GRADE news.
If you want to know how it is to be one of our participants visit this website where you will find a detailed report from one of our participants, Edmond Laccon.
DEUTSCHE FILM- UND FERNSEHAKADEMIE BERLIN GMBH - UP.GRADE
Potsdamer Str. 2 · 10785 Berlin t +49 30 25759 0 f +49 30 25759 162
Head of Programme
m +49 173 2784334
t +49 30 25759 121